Drink v. Drugs

Mick Imlah

copyright ©Mick Imlah, 2008



I was worked up about some other matter
when I saw that phone box off the Talbot Road
being smashed outwards by someone inside it,
after closing on Sunday (Sunday’s the day
they all go mad on crack); which is why
I didn’t as usual walk by on the other side
but advanced with a purpose, and as he swivelled
nonchalant out of the frost, grabbed his lapels,
and setting him roughly against the railings,
‘What is it with you,’ I asked him, ‘drugs?’ –

which I knew very well from his vacant expression;
and after he’d cautioned me weakly
against tearing his coat, the stoned boy
answered, matter-of-factly, Yes’ –
and told me which ones, in a Liverpool accent.
It was here I think I said something stupid
about rugby v. football, which he ignored,
rallying rather to call me a prick
and a Good Citizen, and I thought, never mind,
I’m still going to call the police.

But that would have meant myself going into
the vandalised box, and releasing my hold,
which maybe he saw, with his pert ‘Go on then’;
then, something better came into his head,
that he would phone, since he hadn’t done nothing;
and moments later he was giving the station
the lowdown on the guy in a light blue shirt
and black jeans who’d assaulted him, seeming
the worse for drink, and accused me of smashing
the phone box from which he was calling now.

When in fact I’d begun to warm to the lad –
who’d flattered my stab at authority, kept
a lid on the thing; also I couldn’t be sure,
could I, that he hadn’t been simply clearing away
glass that was broken already, with strong
but not violent blows of the phone.
In any case, when he started to amble off,
I did nothing to stop him; and when the blue
light came quietly round the corner I was standing
alone with nothing to say for myself but my name.

OUR LITTLE CIVIC IS TOTALLED LOVE

Phil Hall

copyright ©Phil Hall, 2005



& coming toward us out of the fog
 is the uncoupled next train of everyone
southbound to the U.S. tonight

 we can run into the cornfield
the so many stones of us lunging
 the so many hands of us clear
popping the sockets of the dry stalks

 until it seems the fog has bones
that are pioneer documents
 being shredded & then absorbed
into the fog we are gulping

 as we turn to listen to the lengthened roar
think of all the times over the years
 we have noticed our own reflections in windows
& looked away or through ourselves

 at what is really there
a stack of transparencies
 the stills of an animated short
two cadavers named Adam & Eve

 our first & last selves – frozen
we dyed their insides orange & blue
 thinly sliced them crown to heel
& photographed each slice

 sped up in sequence
the body comes at us like art
 as we hurtle through
listen to them all back there

 crying to be prized free
from the blown rust dahlias
 of the tail lights in the fog & the high beams
screening wide against cotton-batting

 soon we will hear the local sirens
& scream to be casualties among them

from Apparition of Objects

Robert Majzels and Erin Moure, translated from the French written by Nicole Brossard

copyright ©English translation copyright Robert Majzels and Erin Moure, 2007



winter water blue melt backlit
life suddenly in thin chemise
steadfast
in questions and old silences

in the puzzle of proper nouns
and barking city: February
slow eyelashes that beckon to love
and spinning tops

foliage of word for word
gentleness that evades meaning
plunge into the dark
with metronome

Old old papers

Susan Wicks, translated from the French written by Valérie Rouzeau

copyright ©Translation copyright Susan Wicks 2009



   Old old papers that Cesar too had crushed, directories and corrugated cardboard, books and newsprint all together …

   Or printers’ blocks of crushed paper, ordinary bags (prices vary)?

   Nickel from Severonickel, free-fall stainless steel in April.

   Forget-me-not fittings from the ugines Isbergues plant blue flower absolutely note: an avalanche of stainless leaf-thin sheets, that’s all.

   Complicated as a meeting of the ‘grinders” group of the national iron-workers’ union.

   A boat out of recycled drink-cans to cross the Pacific in.

   Household ashes, broken glass.

   More aluminium (pure, from saucepans), goose-feathers, white, half-white, lead whole empty batteries.

   Red brass, bronze (from grapeshot, turning) other worn-out metals.

   Pages from The Scrap Merchant that my father would read with care and tie in bundles as they dated.

from Hawk

Kamau Brathwaite

copyright ©2005 by Kamau Brathwaite



I was standin on the steps of City Hall … in all that dust

and I knew that Terry [her husband the Captain of Rescue 11] wd have been

on one of the highest floors that he cd get to … in that building

for that’s what his Company does … and when I saw the building come down
I knew that he had no chance

Sometimes I start to worry that he was afraid … but … knowing him
I think he was completely focussed on the job at hand … sometimes it makes me angry

[she gives here a little laugh of pain]

but I don’t think that he

I think in the back of his mind … he was more concerned about where
I was? and the fact that I was far-enough-away … from the trouble?
But I don’t think that he considered … his not-coming-home

and sometimes that makes me angry … S’almost as if he didn’t choose me …?
But I can’t fault him for that he was doin his job … That’s who he was
and why I loved him so much

So I can’t blame him for that

His friend Tim told me he saw Terry going in and Terry said to him
We may not be seeing each other again
and kissed him on the cheek … and ran … upstairs [into the North Tower]

from Heart

Di Brandt

copyright ©2003 Di Brandt



*

Don’t laugh when I confess every cobalt
coloured little lake along the Trans-Canada
is flooding where I cried for you, hungry
tires eating the pavement from Winnipeg
to Couchiching and Shabbaqua, my body
hurtling through spruce scented air toward
polluted Ontario, my spirit reaching long
arms back across the miles to open prairie,
deer among the aspen of La Barriere Forest,
singers around a fire, your filmmaker’s eye,
your poet’s tongue, your quicksilver
philosopher’s mind, quivering skin, naked
heart, how do you know if you’re crazy,
these commuter lives, from exhausting
winters in dirty cities to snatched moments
in paradise, being with you, sunflower
mosquito dragonfly grasshopper ice in
the lungs wish it could last happiness

from Change the Forms in Dreams

Alice Notley

copyright ©Alice Notley, 2001



The first sentence (of my poem) must be “I left it.”


What is the second sentence

The form of the wave/weave comes to me in pictures
of stars swarming to be good
in their cage.
Man on métro speaks to himself
and so he can say anything he wants.
I wish I were him

always so constricted
by you, all you, the stars.
This page is not woven yet

but any wave of light is already woven
so as I tell you the past of the glassy future
I find I need a plot to show us truth,
the graph’s coordinates quotidian life and
my life forgotten from sleep or
the unconscious which must rise up
wounded from the escape, dripping blood.

Microscopic Surgery

David W. McFadden

copyright ©2012 David W. McFadden



Going to stay some time before hopping
on the train all the way to Como.
Disoriented in London. It’s so warm,
humid, but human, overcast and muggy.
Joy’s not well, she got sick in Egypt.

String quartet at St. Dunstan’s in Fleet Street.
Violinist cut her finger in a kitchen
accident and hadn’t played for a year.
Microscopic surgery. Cut nerve.
But now she thinks she’s going to be fine.

After the wine and cheese reception (tacky!)
(but nice) took picture of an old statue
of Queen Elizabeth (the first) that had just
been discovered in somebody’s basement
and installed over the sacristy door.

Walking all through Westminster buying slides.
Weatherman on BBC-1:
Today most wet spots will become
dry and most dry spots will become wet.
Of course he said this with a smiling face.

The Strange Hours Travelers Keep

August Kleinzahler

copyright ©2003 by August Kleinzahler



The markets never rest
Always there are somewhere in agitation
Pork bellies, titanium, winter wheat
Electromagnetic ether peppered with photons
Treasure spewing from Unisys A-15 J mainframes
Across the firmament
Soundlessly among the thunderheads and passenger jets
As they make their nightlong journeys
Across the oceans and steppes

Nebulae, incandescent frog spawn of information
Trembling in the claw of Scorpio
Not an instant, then shooting away
Like an enormous cloud of starlings

Garbage scows move slowly down the estuary
The lights of the airport pulse in morning darkness
Food trucks, propane, tortured hearts
The reticent epistemologist parks
Gets out, checks the curb, reparks
Thunder of jets
Peristalsis of great capitals

How pretty in her tartan scarf
Her ruminative frown
Ambiguity and Reason
Locked in a slow, ferocious tango
Of if not, why not