Lot’s Wife

Anne Simpson

copyright ©2003 Anne Simpson



This is the woman you don’t know,
— unnamed, undone —
though you’ve heard how she turned
for a last look and that
was that. No time
for those twelve chapters
to creative awakening, with accompanying
exercises. Lot kept his head
down. Why is it that a woman can’t
give up what’s already gone? We all know
what curiosity plus cat equals. This time

God snapped his fingers,
reduced the city to ash,
along with two of Lot’s daughters, sons-in-law,
twins in the polks-dot stroller,
rattles on the rug,
a whatnot full of souvenirs:
the straw donkey from Spain, clay vase
from Mexico with the crack in it. Dishes
still in the sink, phone off the hook
and the voice of the angel
echoing loud in everyone’s ear.
Told you so.

                                                                      After that
who was left
to pick up the pieces? Soon Lot was sleeping
with his younger daughters,
but it was all so dreamlike. Across the plain,
the city kept burning. People made little cries
of distress, flames leapt
from one building
to another. Smoke filled the air.

Autumn News from the Donkey Sanctuary

Ken Babstock

copyright ©2011 Ken Babstock



Cargo has let down
her hair a little and stopped pushing
Pliny the Elder on

the volunteer labour
During summer it was all Pliny the Elder,
Pliny the Elder, Pliny

the – she’d cease only
for scotch thistle, stale Cheerios, or to reflect
flitty cabbage moths

back at themselves
from the wet river-stone of her good eye. Odin,
as you already know,

was birthed under
the yew tree back in May, and has made
friends with a crow

who perches between
his trumpet-lily ears like bad language he’s not
meant to hear. His mother

Anu, the jennet with
soft hooves of Killaloe, is healthy and never
far from Loki or Odin.

The perimeter fence,
the ID chips like functional cysts slipped
under the skin, the trompe

l’oeil plough and furrowed
field, the UNHCR feed bag and visiting
hours. These things done

for stateless donkeys,
mules, and hinnies – done in love, in lieu of claims
to purpose or rights –

are done with your
generous help. In your names. Enjoy the photo.
Have a safe winter

outside the enclosure

from thirsty

Dionne Brand

copyright ©Dionne Brand, 2002



This city is beauty
unbreakable and amorous as eyelids,
in the streets, pressed with fierce departures,
submerged landings,
I am innocent as thresholds
and smashed night birds, lovesick,
as empty elevators

let me declare doorways,
corners, pursuit, let me say
standing here in eyelashes, in
invisible breasts, in the shrinking lake
in the tiny shops of untrue recollections,
the brittle, gnawed life we live,
I am held, and held

the touch of everything blushes me,
pigeons and wrecked boys,
half-dead hours, blind musicians,
inconclusive women in bruised dresses
even the habitual grey-suited men with terrible
briefcases, how come, how come
I anticipate nothing as intimate as history

would I have had a different life
failing this embrace with broken things,
iridescent veins, ecstatic bullets, small cracks
in the brain, would I know these particular facts,
how a phrase scars a cheek, how water
dries love out, this, a thought as casual
as any second eviscerates a breath

and this, we meet in careless intervals,
in coffee bars, gas stations, in prosthetic
conversations, lotteries, untranslatable
mouths, in versions of what we may be,
a tremor of the hand in the realization
of endings, a glancing blow of tears
on skin, the keen dismissal in speed

from The Way the Weather Chose to Be Born

Robert Bringhurst

copyright ©2000 Robert Bringhurst



Then she went inland, they say,
taking her mats and all her belongings.
She walked up the bed of the creek,
and she settled there.

Later a trail was cut over top of her.
The traffic disturbed her, she said,
and she moved farther inland.
She sank to her buttocks, they say.
There, they say, she is one with the ground.

When her son takes his place,
she scatters flakes of snow for him.
Those are the feathers.

That is the end.

Artless

Brenda Shaughnessy

copyright ©2012 by Brenda Shaughnessy



is my heart. A stranger
berry there never was,
tartless.

Gone sour in the sun,
in the sunroom or moonroof,
roofless.

No poetry. Plain. No
fresh, special recipe
to bless.

All I’ve ever made
with these hands
and life, less

substance, more rind.
Mostly rim and trim,
meatless

but making much smoke
in the old smokehouse,
no less.

Fatted from the day,
overripe and even
toxic at eve. Nonetheless,

in the end, if you must
know, if I must bend,
waistless,

to that excruciation.
No marvel, no harvest
left me speechless,

yet I find myself
somehow with heart,
aloneless.

With heart,
fighting fire with fire,
fightless.

That loud hub of us,
meat stub of us, beating us
senseless.

Spectacular in its way,
its way of not seeing,
congealing dayless

but in everydayness.
In that hopeful haunting
(a lesser

way of saying
in darkness) there is
silencelessness

for the pressing question.
Heart, what art you?
War, star, part? Or less:

playing a part, staying apart
from the one who loves,
loveless.

A Dog’s Elegy

Les Murray

copyright ©2001 by Les Murray



The civil white-pawed dog who’d strain
to make speech-like sounds to his humans
lies buried in the soil of a slope
that he’d tear down on his barking runs.

He hated thunder and gunshot
and would charge off to restrain them.
A city dog too alive for backyards,
we took him from the pound’s Green Dream

but now his human name melts off him;
he’ll rise to chase fruit bats and bees;
the coral tree and the African tulip
will take him up, and the prickly tea trees.

Our longhaired cat who mistook him
for an Alsatian flew up there full tilt
and teetered in top twigs for eight days
as a cloud, distilling water with its pelt.

The cattle suspect the Dog lives
but three kangaroos stood in our pasture
this daybreak, for the first time in memory,
eared gazing wigwams of fur.

from Rings

Ian Williams

copyright ©Ian Williams 2012



Problem is our armpits and crotches are feathered
with cobwebs. Problem is she leaks soft-boiled eggs
or I package seedless grapes. Problem is her parents
made us wait until that had crossed the width
of my nose. Problem is she has a migraine. Problem is
we did not want children. Problem is we did
not want each other until too late. Problem is I can’t be
late for work in the morning. Problem is this morning
she says she dreamt she was holding a sandwich bag
of crickets. Problem is I am already late and listening
to the weather. Problem is we don’t speak
to the problem. Problem is the school bus
that stops in front of our townhouse just as I’m reversing

the problem is we don’t know who

But we did not want children. But we did
not want a townhouse either. But we got
a townhouse in a field of children with round
dimpled faces. But we did not want girls.
But we saw them in ribbon and crinoline
at church. But we did not want boys. But
we saw them squeezing frogs near the ravine.
But we did not want children. But they knocked
on our door with UNICEF cartons and chocolate
almonds. But we did not buy. But we bought.
But they wore soccer uniforms and ballet leotards
under their winter coats. But they sat in their mother’s
car as she dropped off the Avon. But we were surrounded by

pregnant women who grew round around

Or we could get a Pekingese. Give me children, or else I die.
Or a Siamese cat. Give me children, or else I die. Or we could
redecorate with glass and steel and pointy corners
in the best modern way. Give me children, or else I die. Or else
move to a ch-ching penthouse. Give me children,
or else I die.
Or throw parties and serve canapés. Give me
children, or else I die.
Or travel by train from farther to further
every spring. Give me children, or else I die. Or we could spend
the evenings counting our gold. Give me children, or else
I die.
Or become the cool aunt and uncle. Give me children,
or else I die.
Or sponsor a child or buy a goat. Give me children,
or else I die.
Or buy a hybrid or recycle more or run
a shelter or feed the poor or bike for cancer or knit for preemies

or else give me children or else give me children

from Route 110

Seamus Heaney

copyright ©2010 by Seamus Heaney



iii

Once the driver wound a little handle
The destination names began to roll
Fast-forward in their panel, and everything

Came to life. Passengers
Flocked to the kerb like agitated rooks
Around a rookery, all go

But undecided. At which point the inspector
Who ruled the roost in bus station and bus
Separated and directed everybody

By calling not the names but the route numbers,
And so we scattered as instructed, me
For Route 110, Cookstown via Toome and Magherafelt.

Old Pet

A.F. Moritz

copyright ©2008 A.F. Moritz



Come, my body, leap up, while you still can,
onto my knees, into my lap. Come let me pet you,
comfort you and take comfort while there’s time,
while you last. How calm you are: content, it seems,
with your infirmity, your age, in the almost changeless
youth of your soft hide, your pelt and shy quiet,
expressionless as you huddle and crouch for this leap
you can still make, though it’s grown great, this petty
piece of your young and many springs.

Why did I never, body, cherish you enough?
Although I thought I was spending all my minted hours
on you, till I’d cry at the long waste of time, chained
by eyes and tongue, the ends of every extremity,
to your pleasure. Now I can’t recall ever once
kissing you, lying locked in you, deep as I want.

You’ll die, it won’t be long, body, swiftly
in animal nobility – how you wear your decline unnoticing,
the way a poor man walks in his only shirt to work –
and then, without you, in what mud of my own
making will I linger, falling apart? Purr now
and fuse your old pleasure into crotch of my torso,
palm of my hand, vision of eyes and sag of diaphragm
inseparably; they’re yours. Give me your indifference
that a once forest-wide range comes down
to couch and counter now, and this lap. Give me
your unrepentant having-known
a more-than-ant’s-intimacy with the grass,
a more-than-god’s-innocence in the hunt,
a greater-than-winged-agility in branches
and light. Leap up, body, while you still can,
let me finally hold you, feel you, close enough.